A new recording of my lyrics for ‘In Advent Heat’ by the Choir of Trinity College, Melbourne, is published by Acis Records on Beneath the Incense Tree: Music for Advent, Christmas and Epiphany, including works by living composers including many commissions for the choir.
‘In Advent Heat’ is a shimmering setting by Melbourne-based composer and musicologist Peter Campbell, for a work that can be sung through the whole Christmas season from Advent to Epiphany.
The words have become regular additions to Carol services in Melbourne as a poem, as well.
The words describe the journey of the Wise Men through an Australian desert (so different from the Middle Eastern landscapes they would have encountered. or the freezing cold so familiar from northern hemisphere carols).
Listen to the carol here:
The Brisbane Baroque Chamber Choir, conducted by Graeme Morton, will perform the Shultz/Firth Southern Cantata at the Brisbane Contemporary Church Music Festival, at 2pm on 19 August 2018, in St John’s Cathedral.
“Baroque instruments meet contemporary voices in new Advent cantatas by Australian composers Andrew Schultz and Dan Walker”.
Tickets will be available soon.
ABC Music has released a recording of ‘Anthem for the Feast of Any Healer’, composed by Michael Leighton Jones, and words by Katherine Firth.
The work was commissioned by Dr Jack Best, to commemorate the life of Norman Heatley, the only member of the team who isolated penicillin for medicinal use not honoured with a Nobel Prize. Dr Best saw in Heatley an exemplar of all medical researchers whose work has made such a difference to many lives, but who are themselves un-celebrated. The name, ‘Anthem for the Feast of Any Healer’ highlights this aspect of the Commission.
The work was first performed by the Choir of Trinity College, Cambridge, February 2011, and later by the Choir of Trinity College, Melbourne, on multiple occasions, including the opening of the Melbourne Brain Centre (see a video of the event here).
The new recording, with spoken word performance by the librettist, conducted by the composer, and sung by the Choir of Trinity College, Melbourne, is now available for download via the ABC Music website.
An article on how Ezra Pound uses ideas and practices of musical modernism to shape his Pisan Cantos. In particular, the chapter debunks the idea that a ‘fugue’ controls the formal aspects of the poem, demonstrating rather the freedom and looseness of the fugue form, and instead demonstrating Pound’s use of small musical moments of coherence through close examination of primary recordings of Pound reciting his poetry, through examination of letters and commentary, and through a deep understanding of early and modern musicology.
The book can be purchased from Routledge, or consulted (in part) on Google Books.
‘Sunlight Touches the Roses (Horsfall)’, my newly written lyrics in four movements for an anthem composed by Dr Peter Campbell, especially commissioned for the Centenary of Trinity College the University of Melbourne’s Horsfall Chapel, is now out on CD.
Holy & Indivisible is available from the Trinity College shop.
A post from my Research Degree Voodoo blog was republished in the Times Higher Education online.
Read the article here:
Often we think that we learned to read by the time we were about 8. We know that we have to continue to learn to write and that the thesis is a major writing task that we have to learn how to succeed in – and there’s a lot of books, advice and workshops out there on improving doctoral writing.
But a lot of the difficulties that doctoral students have in getting started, in powering through the shitty middle, and in getting to completion, are actually caused by reading. And why? Because, and I hate to tell you this, you’re probably reading wrong.
The five biggest reading mistakes and how to avoid them:
Katherine Firth on why you should approach texts less like a Victorian maiden and more like a pirate hero
On 21 July 2014, Katherine Firth returns ‘home’ to Trinity College, the University of Melbourne.
In 2009, Katherine joined the college as a Visiting Research Fellow and Director of Studies (Arts), tutoring and researching in the Residential College. She was Secretary of the Senior Common Room, before moving on to work full-time in Student Services at the University of Melbourne. She maintained her connection to the college, however, retaining the research fellowship and becoming adjunct faculty at the Trinity College Theological School (associated with the University of Divinity).
From 21 July, she will return to the college as Head of Academic Programs, a senior role with responsibility for the Residential College’s tutorial and visiting scholar’s programs.
The launch of the Theological Commentary, by Andreas Loewe with a new scholarly translation by Katherine Firth will take place on Saturday 12 April 2014, at St Paul’s Cathedral Melbourne.
The Commentary will be launched by the Revd Professor Dorothy Lee, an expert on the Gospel of John, and Dean of Trinity College Theological School, and Frank Woods Distinguished Lecturer in Biblical Studies; and the Very Revd Dr Andreas Loewe, Dean of the Cathedral and author, will give a talk.
Following the launch, The Choir of Trinity College, Melbourne, will perform the St. John Passion, conducted by Jonathan Greives-Smith.
The Commentary will be available on the 12 April as an ebook, with the hardback copies coming in early May.
The Commentary can be ordered from all major online booksellers, or directly from the publisher.
On 17 October 2011, the choir of Trinity College, the University of Melbourne, performed ‘Anthem for the Feast of Any Healer: in memoriam Norman Heatley’ at the opening ceremony for the Melbourne Brain Centre.
The work was commissioned by Dr Jack Best, composed by Micheal Leighton Jones, with words by Katherine Firth.
This was the third performance of the work. The world premiere was at Trinity College, Cambridge; with an Australian premiere of the extended piece at Trinity College, Melbourne, in March 2011.