A new carol-motet, commissioned by the Christ Church Music Foundation, with music by Melbourne-based composer Daniel Riley was first performed at Christ Church, South Yarra, on 16 December 2018 as part of their Carol Service.
The commissions was for a carol which spoke to the Australian setting, and I have therefore included references to lyrebirds and the gold rush, a loose translation from Dante’s Purgatorio in which he imagines the southern hemisphere ocean, and allusions to terra nullius and climate change. Nonetheless, Riley’s bejewelled setting and dynamic rhythms deliver the work as a glittering modern addition to the repertoire.
The newly written words for the commission can also be sung to Mathias’ setting of ‘A babe is born’ for congregational use.
Here is the citation for the Student Success Staff Award for Outstanding Contribution to Innovation, which I was presented in December 2018.
Since joining the team, Katherine has demonstrated an innovative and inclusive approach to everything she has done. With very short time-frames Katherine negotiated spaces for each Learning Hub and for the Maths Hub at Bundoora while drawing together separate teams into one cohesive unit.
Katherine also successfully streamlined the processes of the team and is currently working on evaluation. One example of Katherine’s innovation involved identifying and negotiating an alternate space for the Hub due to the original’s unsuitability. Katherine was able to work with stakeholders to shift and set up operations within the space of a week.
It was an incredible honour to have the work in the Learning Hub recognised, alongside award for the Peer Learning Leaders for ‘Going the Extra Mile’ and Dr Pam Delly, Student Learning, for ‘Collaboration’.
Movement 4 of ‘Southern Cantata’ was broadcast on 3MBS radio on Sunday 4 February 5pm, as part of an interview with The Very Revd Dr Andreas Loewe, Dean of Melbourne, for their ‘Reflections’ Program.
You can listen to the piece here:
Schultz, Andrew: Southern Cantata. Choir of St John’s Southgate/Graham Lieschke (From 36 minutes).
A broadcast of the full work is expected soon.
The score and a recording are available for reference only at the the Australian Music Centre website.
My blog post ‘Writing a PhD in your second language: 7 reasons you’re doing great and 5 ways to do even better’ (originally published on Research Degree Voodoo), was republished on the LSE Impact blog.
For those PhD students for whom English is not their first language, writing a thesis can be a daunting task and a source of some anxiety too. Katherine Firth has worked with many of these students and as well as offering reasons why they should feel reassured, also provides a short list of simple pointers to help improve their skills. Identify your common errors, practice regularly, and don’t become preoccupied with “sounding academic”!
Read the full blog.
A new anthem was commissioned for the century anniversary of the Horsfall Chapel at Trinity College, the University of Melbourne, ‘Sunlight Touches the Roses (Horsfall)’ with words by Katherine Firth and music by Peter Campbell. The anthem was directed by Chris Watson and sung by the Choir of Trinity College, one of the premiere sacred music ensembles in Australia.
The first performance was on Friday 6 October 2017 at a service for Founders and Benefactors of the College, and a second performance on Saturday 25 November for the anniversary of the consecration of the chapel.
The words and music draw from the present setting of the building, its history as the chapel of Trinity College and Janet Clarke Hall (in 1917 Trinity College and Trinity Women’s Hostel), from the prayers and hymns in the opening services of the new chapel, and ends with a doxology of hope for the future.
Read more about the chapel and the chapel choir.
Peter Campbell and my first every collaboration, ‘In Advent Heat’, will be performed at three concerts in Melbourne and Bendigo. (This makes 6 performances of 3 seperate works in the space of a fortnight!)
Join Melbourne chamber choir Polyphonic Voices and kick off the festive season with Deck the Halls, a distinctly Australian-flavoured concert of Christmas music featuring celebrated local composers alongside more traditional Christmas carols and everything in between. Guests will be treated to suitably themed drinks and nibbles ahead of a performance that will feature unaccompanied choral music from the past 500 years, from countries such as Argentina, Finland, Germany, France, the USA, UK and Sweden. Interwoven throughout will be arrangements or original compositions by young Melbournians Dan Walker, Daniel Riley and Peter Campbell, and a new composition by talented Sydney-based composer Alice Chance. With two performances in Parkville’s beautiful Wyslaskie Auditorium, there’s no better way to entertain the prospect of Christmas and holidays!
This program will be repeated a week later at St Paul’s Anglican Cathedral in Bendigo on Saturday 9th December at 6pm.
Deck the Halls, presented by Polyphonic Voices
Friday 1st December, 8pm
Saturday 2nd December, 8pm
Drinks and nibbles served each evening from 7pm
Standard $40 / Student $20
Wyslaskie Auditorium – Centre for Theology & Ministry
29 College Crescent, Parkville VIC 3052
Tickets from www.polyphonicvoices.com
A new commission for the St John’s Canata Program.
World premiere of a new cantata commissioned to celebrate the 20th anniversary of St Johns Cantata Program
Southern Cantata (Opus 102, 2017)
by Andrew Schultz, libretto by Katherine Firth
for 2 soloists, chorus and period instrument orchestra of strings, trumpet, theorbo, timpani, harpsichord and organ
St Johns Bach Choir and Orchestra
Kate Macfarlane (soprano), Robert Macfarlane (tenor)
dir. Graham Lieschke
Guest Preacher: Tom Peitsch
Pastor of Outer Eastern Lutheran Church & former pastor of St Johns Southgate
Cantata in Context 8:30am in the Chapel
Discussion with the composer and poet about the new cantata
‘Nakata Brophy Prize: Judges’ notes’ by Jennifer Mills, Katherine Firth and Tara June Winch was published in Overland (227 Winter 2017).
The winning story, Evelyn Araluen’s ‘Muyum: a transgression’ is available to read at overland.org.au.
The two runner-up stories, were Amy McGuire’s ‘Tea and dying’ and Allanah Hunt’s ‘Invisibility isn’t only a power superheroes have’.
The Judges’ reports on the Nakata Trophy Prize for Young Indigenous Writers was published in Overland (223 Winter 2016).
The winning poem, ‘Expert’, by Ellen van Neerven, and the two runners up ‘Cassandra’, by Ryan Prehn, and ‘Learning Bundjalung on Tharawal’, by Evelyn Araluen, are also available on overland.com.au.
An invited paper was given to the Royal Overseas League at ANZAC House on 26 May, 2014, on “The Arts of Peace and the 1953 Coronation: Creating a new, modern and free Commonwealth”, discussing some of the findings from Katherine Firth’s doctoral thesis, recently published in the Finzi Journal.
Discussed were A Garland for the Queen and, in passing, the Choral dances from Benjamin Britten’s opera, Gloriana.