Articles, Chapters, Books
‘Five Adolescent Paintings by F. Louis MacNeice’, in Notes and Queries, 253.4(December 2008), 514-5.
‘Henry Reed’, in British Writers Supplement, vol. XV, ed. Jay Parini, (New York, London: Scribner, 2009), 243-57.
‘Alfred, Lord Tennyson’, in British Writers Retrospective, vol. 3, ed. Jay Parini, (New York London: Scribner, 2010), 319-332.
‘Kathleen Raine’, in British Writers Supplement, vol. XVIII, ed. Jay Parini, (New York, London: Scribner, 2012)
‘Judith Wright’, in British Writers Supplement, vol XX, ed. Jay Parini (New York, London: Scribner, 2013).
‘New Study Translation’, in Johann Sebastian Bach’s St John Passion (BWV 245): A Theological Commentary: With a new Study Translation by Katherine Firth and a Preface by N. T. Wright, by A. Loewe (Leiden: Brill, 2014), 100-35.
‘“Bright flower breaks from charnel bough”: The arts of peace and the 1953 Coronation’, in The Finzi Journal (March, 2014), 90-118.
‘From Poe to Valery’, in T.S. Eliot’s Criticism, ed. Sarbojit Biswas and Saptarshi Mallick, 2 vols (New Delhi: Alfa Press) (forthcoming, 2017).
‘“The way to learn the music of verse is to listen to it”: Ezra Pound’s The Pisan Cantos and the “Sequence of the Musical Phrase”’, in Musical Modernism: Essays on Language and Music in Modernist Literature, ed. Katherine O’Callaghan (Routledge) (forthcoming January 2018), 159-172.
Inger Mewburn, Shaun Lehman and Katherine Firth, How to Fix your Academic Writing Trouble: A Practical Guide (forthcoming Open University Press, January 2019)
2013 The ‘aura’ of authenticity in the age of digital lecture theatres.
Australian Association of Language and Learning, Biennial Conference, Melbourne.
2013 Hyper-Anxiety about Research Integrity in Library Staff and RHD Students.
Invited paper, Tuesdays with OREI research seminars, The University of Melbourne.
2012 Student’s Fetishisation of Detail: Adorno and Higher Education Commodity Culture.
Australian Association of Language and Learning Symposium, Melbourne
2010 Inspiration, Gender and the Muse: The Case of Hedli Anderson.
The University of Melbourne, School of Culture and Communication Seminars
2009 Hedli Anderson ‘cast as Lotte Lenya to Britten and Auden’s Brecht and Weill’.
Musicological Society of Australia, Victoria, Conference
2009 ‘Like, or rather unlike… a fugue’: analogy or translation for The Music of Poetry.
British Comparative Literature Association Conference, Cambridge
2008 Singing urban lyrics, by WH Auden and Louis MacNeice (1946).
Post-Industrial Cities in Contemporary Literature and Culture Seminar,
British Council and University of Łódź, Poland
Funded by the British Council, Poland.
2007 ‘Queen of the boys tonight’: Hedli Anderson and the ‘Auden Gang’.
Louis MacNeice Centenary Conference, Seamus Heaney Centre, Belfast
Part funded by Oxford Brookes University
2007 Writing ‘for the ear’: Aural forms in free verse in Hill and Heaney.
Oxford Brookes Modern and Contemporary Poetry Centre Seminars, Oxford.
2006 The Politics of Commission: Poets, Composers and the Coronation 1953,
Poetry and Politics Conference, Stirling University
Part-funded by Oxford Brookes University.