Captivity and freedom in the work of Dietrich Bonhoeffer, invited talk

On 6 April, I will be giving a talk to the St James’ Insititute, Sydney, on ‘Captivity and Freedom in the Writings of Dietrich Bonhoeffer’ before the Choir of St James’ King Street, directed by Warren Trevelyan-Jones gives a performance of Philip Moore’s ‘Three Prayers of Dietrich Bonhoeffer’.

Tickets to the talk are still available.

Here’s what I’ll be talking about:

‘Restless, yearning, sick, like a bird in a cage… hungry for colours, for life, for birdsong’.
From ‘Who Am I?

Dietrich Bonhoeffer is a theologian for our times: an intellectual who worked across barriers of race, denomination and language. For his role in heading an underground seminary, and his work with the resistance against the Nazi regime, he was imprisoned, interned in concentration camps and executed. Bonhoeffer’s writings invite us to ask about what captivity really means, and what it is to have freedom.

And here is a recording of Morning Prayer to whet the appetite:

Article on Ezra Pound and Musical Modernism published

9781138285651

An article on how Ezra Pound uses ideas and practices of musical modernism to shape his Pisan Cantos. In particular, the chapter debunks the idea that a ‘fugue’ controls the formal aspects of the poem, demonstrating rather the freedom and looseness of the fugue form, and instead demonstrating Pound’s use of small musical moments of coherence through close examination of primary recordings of Pound reciting his poetry, through examination of letters and commentary, and through a deep understanding of early and modern musicology.

The book can be purchased from Routledge, or consulted (in part) on Google Books.